Eldred Opinion Met with Anger, Determination
Pages: 1, 2
The Big Picture
The Eldred decision comes in the middle of an exceptionally charged week in Washington D.C., a day after the RIAA and two technology groups, the Business Software Alliance (BSA) and the Computer Systems Policy Project (CSSP), announced an alliance to fight Senator Fritz Hollings' (D-S.C.) Consumer Broadband and Digital Television Act, which would mandate copyright-protecting technology be embedded in personal computers and consumer electronics. Last week, Representative Rick Boucher (D-Va.) introduced a bill that would reform the Digital Millennium Copyright Act's anti-circumvention clause, which makes it illegal to disable copy-protection technology. Part of the music-and-tech alliance is an agreement to oppose Boucher's bill.
In this context, the Court's decision is resounding loudly in the halls of Congress. McCullagh says: "The prospects for the Boucher bill look a lot worse than they did a week ago. A week ago, the prospects for the Boucher bill looked good for a hearing and probably a mark-up in committee. But now, you have the most important Supreme Court case of this generation saying, 'Well, you guys are full of it; just leave us alone already.' With the RIAA/BPA axis reemerging, the outlook for Boucher and his supporters is much more dim now--I suspect they will not be able to get legislation through this Congress."
McCullagh notes that the Boucher bill deals not only with DMCA reform but also includes a requirement that copy-protected CDs be clearly labeled. "That section, I think, is dead on arrival. The DMCA part, if it's rewritten and reintroduced as a stand-alone bill, it stands a slight chance of moving forward, but the prospects look a lot worse than they did a week ago. If you look at the folks who were supporting Boucher's bill, Intel showed up at the press conference last fall but then they were part of the alliance with the RIAA, so there's a bit of flip-flop there."
The behavior of Intel and other high-tech powerhouses strikes some observers as abandoning Boucher and the DMCA reform cause in order to forestall the Hollings bill. "Clearly that's one interpretation ... I think they were also hedging their bets," McCullagh said. "One suspicion I have--but I haven't done the reporting on this--is that the tech industry saw this really, really nasty bill coming at them, so they got behind Boucher's bill for leverage. Once they got behind Boucher's bill, they were able to say to RIAA, hey, 'You don't like the Boucher bill, well, we don't like the Hollings bill. Let's cut a deal to oppose both.' So they're able to peel off one of their adversaries from that coalition, even if they never actually wanted Boucher's bill in the first place, by showing up at the press conference and making it look like it had legs in this Congress. So, if that is true, it was a masterful move."
EFF's Doctorow is less impressed with such inside-the-Beltway maneuvering; he sees the music-tech alliance as nothing short of a sell-out of the public interest. "Clearly this is preemptive of the Boucher bill. The idea is for the RIAA and Business Software Alliance to team up to make the Boucher bill look extreme, as opposed to a reasonable reaction to the extreme slide away from the public domain into the private domain that we've experienced in the last 20 years. I think it's accurate to say not that the RIAA and BSA have teamed up to oppose all technology mandates but rather that they've teamed up to oppose all technology mandates that they don't support. We don't see Intel walking away from its strong commitment to the broadcast flag, which would make it illegal for technology companies to build digital televisions or indeed home computing devices, which may have a digital television function without the approval of Hollywood studios, and we don't see the recording industry repudiating the Berman bill, the right of revenge bill."
"The Boucher bill needs to happen. We need to realize the agendas of the BSA and RIAA. They're trying to sabotage the Boucher bill, they're not trying to endorse any kinds of public rights or public domain. The Boucher bill is just the tiniest mitigation of the damage that's been done to the public domain thus far. I hope that people will keep their lawmakers abreast of what's going on here, and of the erosion of the American people's property and the lining of the pockets of Fortune 100 media companies."
The Morning After
So, where do copyright reform forces go from here? There's a general consensus among copyright reformers that the decision could be a rallying cry to energize a growing movement of hackers, consumers, and academics.
"I hope this case becomes a rallying point for people who care about the public domain, and this issue, which has been so obscure and hard to understand for most people, creates a more mainstream dialogue in which creators and audiences come to realize how important the public domain is," said EFF's Doctorow.
Kevin Werbach, a computer-industry analyst and writer, wrote in an email: "Some day we'll see Eldred v. Ashcroft as the Dred Scott decision of the 21st century. The movement against copyright extremism may or may not be better off for having lost the case, potentially galvanizing popular support. But it is certainly better off for Larry Lessig having filed and argued it. The case was always a longshot because both the legal and policy arguments for Eldred's position require a paradigm shift. Once you make the conceptual leap, the answer seems obvious. Unfortunately, it cuts against the way so many of our judges and politicians see the world. The publicity that the case generated is one step in the right direction. It promises to be a long struggle, but one eminently worth fighting if we believe in the value of innovation."
McCullagh sees a movement potentially as important as the anti-abortion movement. "Look at what happened to the conservative movement after Roe v Wade. They realized this is a focal point of their political activism, they know who their enemies are, and they want to overturn this ruling. I'm not saying this will have exactly the same affect but it could turn programmers, geeks, and currently sedentary types [into activists] by showing them, hey, the Supreme Court just abdicated its responsibility to Congress, and Congress is not your friend."
EFF's Fred von Lohmann sees the movement as cut from the same cloth as the environmental movement and the civil rights movement. "In the 1960s, everyone thought the environmental movement was hopeless. Today, environmentalism is taught in the schools. ... I think copyright law belongs on the list of important national issues. People don't realize it but copyright law touches virtually every aspect of their lives. The cost of schools is in part a result of copyright. How often textbooks get replaced, the education their children receive, the music they listen to, the television they watch, the kind of books they can buy, all of that is intimately tied to the kind of copyright law we have."
The last words goes to Larry Lessig, again from his weblog. "It has often been said that movements gain by losing in the Supreme Court. Some feminists say it would have been better to lose Roe, because that would have built a movement in response. ... If there is any good that might come from my loss, let it be the anger and passion that now gets to swell against the unchecked power that the Supreme Court has said Congress has. When the Free Software Foundation, Intel, Phyllis Schlafly, Milton Friedman, Ronald Coase, Kenneth Arrow, Brewster Kahle, and hundreds of creators and innovators all stand on one side saying, 'this makes no sense,' then it makes no sense. Let that be enough to move people to do something about it. Our courts will not. ... What the Framers of our Constitution did is not enough. We must do more."
Richard Koman is a freelancer writer and editor based in Sonoma County, California. He works on SiliconValleyWatcher, ZDNet blogs, and is a regular contributor to the O'Reilly Network.
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Showing messages 1 through 6 of 6.
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Trumping the Congress.
2003-01-20 10:18:39 steadj [Reply | View]
Its seems that it's the hope of everyone who doesn't get their way in the normal law making process that some higher authority will discard the decisions of the elected ones. Considering that the only applicable Constitutional language, in Article 1 Section 8, says:
"The Congress shall have power ... To promote the progress of science and useful arts, by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries;"
It would be quite the stretch for the Court to say the Congress overstepped its bounds. Even 1,000 years would be a limit. The Court's role is not to rule on the good sense of the Congress.
Those of us who want to remove people's rights to their creations should get on the phone to our Representatives.
Jim -
Trumping the Congress.
2003-01-29 12:51:07 anonymous2 [Reply | View]
First I agree with one thing in "steadj"'s post, that some groups that won't get their desires in elections or lobbying will go to the courts, or try even an elected voters-be-damned subterfuge.
Second, I'll agree that the relevant Constitutional passage gives a purpose clause ("..To promote the progress of science and useful arts,.."), and an operational clause: "..by securing for limited times to authors and inventors the exclusive right to their respective writings and discoveries;..".
Where I would say that both Congress and the US Supreme Court have erred in their justification for this outrage is in turning a blind eye to that all-important word included in the operational phrase: "limited". In the interpretation of the effect of this word in the meaning of the "operational phrase" to a test of the law, that is where the "purpose clause" should have been considered, if they were so idiotic as to think that "limited" just means you can keep on renewing it.
Maybe they were all victims of a Duracell commercial: they think that copyrights were meant to keep going, and going, and going...
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Lessig is disingenous
2003-01-19 08:36:24 anonymous2 [Reply | View]
As defined by mathematics, a limited time is any time less than an unlimited time, which would be forever. Unlimited time is not quantified as "economically" unlimited time, the language is blindingly clear. The only way that a succession of limits could become infinity is if they continued forever, and we won't be around to see or prove that. Trying to redefine language in the courts is always a foolish endeavor - the judges aren't stupid.
The reality is that protecting music and movies from copying will become virtually impossible, as is already the case. That is the nature of our technology - everything becomes easier and easier to reproduce. Fighting the progress of technology is like fighting the tide.
Worse still, for the RIAA and MPAA, the flood of new movies from small groups, and thus the diminished value of their copyrights, will drive them out of business soon. Music and Movies will become just like books, where it is very difficult to make a living. The unusual anomoly of monopoly control over the distribution channel for multimedia will soon disappear.
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Reform???
2003-01-17 12:06:24 jonogden [Reply | View]
Most rational people who have created something of real value want to be compensated for it. Many of us out here in the real world want that compensation to be cold hard cash, not the adulation of those too poor or too cheap to pay us for our labor.
When there are no copyright laws to protect works from being ripped off, many of those works will not be published, or even created.
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Reform???
2003-01-17 14:42:05 Richard Koman |
[Reply | View]
As someone who earns a living by creating things with words, I too want to be compensated in cold hard cash. But what about this issue makes you think anyone is advocating doing away with copyright? The issue is about how long copyright should be extended for, and if Congress should be able to *retroactively* extend copyright for previously published works.
The question asked by the Framers is simply what policy would best motivate people to create and disseminate creative and scientific works? They decided that copyright protection for "limited times" was the best answer. They also explicitly stated that after a limited time, the works be in the public domain, for the use of everyone.
Take this article, for instance. O'Reilly paid me to write it. I might have written it anyway, but I probably wouldn't have stayed up til midnight working on it, so it would publish the morning after the decision. O'Reilly delivers me an audience and a check, and I deliver them content. If I had a means to deliver my own audience, I might still have written the article for that audience, and might have gotten paid for it somehow (subscribers, advertisers, etc) but getting paid through an intermediary is a decidely preferable route at present.
The point is the article is published and paid for. If I haven't handed all my rights over to O'Reilly, I am free to say, sure, republish the article with my credit at no charge -- I've already been paid. I am more inclined to say that if you are running a noncommercial site than it you are running Time magazine.
The point is that this article has a limited financial impact for me. Once that impact is over (after the time at which no one is willing to pay for the content), then neither the creator nor anyone else should want to restrict the dissemination of the content. Under copyright the work is locked up forever, under something like Creative Commons, I can declare what rights I want to keep and when I want to release them.
Also, some creations become so part of the cultural fabric and the creators (or publishers as the case may be) are so well compensated for them, that after a "limited time" they ought to be part of the public domain, available for all to comment on, use, copy, learn from, teach their children with, etc.
In any case, many of those creators are long dead. Is it a public good, or morally obvious, that the children and grandchildren of the creator should rake in huge royalty checks so long after the author's death? At a certain point, isn't our superlong copyright protection law much more about making sure that the publishers and movie studios continue to line their products than it is about motivating creation in the first place? In what way can retroactively extending copyright to works created in 1928 facilitate creativity?
And, finally, how can any of this be construed as saying that there should be no copyright?
PS: I do think that there is a danger that legitimate copyrights could just slip away, if situations like Napster continue. When the cr holders rob the public of fair uses, then it is very possible that users will violate copyrights wholesale, and that the copyright industry will simply adapt to the market (after having tried every possible way to stem the tide.) But the best way to stem the tide may not be to clamp down the iron hand, but to allow fair uses, so that fair restrictions will be respected.






I vehemently disagree with salon.com on many things, and in the past they have supported some of the biggest abusers of rights while nit-picking nothings on another, but it's a forum for a real person who is an actual "intellectual property" producer.
Go see who really benefits. RIAA, DRMA, DRM, BSA, this is all about big guys ganging up again in a legal cartel to take over the whole thing, and keep the little guys from being able to do anything.