| Article: |
The Ultimate Portable Studio | |
| Subject: | Response reloaded | |
| Date: | 2005-08-18 21:53:26 | |
| From: | SoJaded | |
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Response to: Response reloaded
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One thing you seem to overlook is that this is a portable studio which Gina stated was optimum for engineering a live performance. Using band players, vocalists and maybe some electronic musicians who are performing on stage and require a live mix to be done. What she has presented is a fantastic application of both hardware and software for this purpose. It's not designed to be a production suite. But everything she has put forward here replaces a 16 channel (or more) mixing desk, an FX control rack, a synthesiser rack, DAT or other tape recording device.
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Response reloaded
2005-08-19 13:59:59 gfantsaez [View]
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Response reloaded
2005-08-25 20:44:04 SoJaded [View]
No, thankyou for the article. It's got some good tips in it and it's really been a help for me over the last few weeks. I'm in the process of compiling a checklist of everything I need to get a home studio that makes the cut for higher end productions.
I've also given it to a few of my newbie friends that are having troubles getting their heads around all of the electro-jargon you have to cop when you first get into this field, and they are now much more comfortable with their base knowledge.
See, I don't agree with all of your opinions on hardware/software either. But then, I am using my gear for different purposes, so I wouldn't expect that we would agree. But the kind of arguments against your article that I've read from other readers just shows that they are not really involved in this creative industry because I've never heard a real artist or producer speak like this to their peers. So I thought I should stick up for you.
Once again, thanks for the article Gina, I really enjoyed it.



I love you!!! Thank you for your support. It is so much appreciated.
Gina