| Sign In/My Account | View Cart |
| Weblog: | All Property Is Intellectual: Real Estate & The 62 Cent Cracker | |
| Subject: | Except... | |
| Date: | 2005-04-26 13:23:21 | |
| From: | brianiac | |
|
The analogy fails because the landscape and the cracker-experience cannot be infinitely and precisely duplicated.
|
||
Showing messages 1 through 6 of 6.
Except...
Except...
Except...| Showing messages 1 through 6 of 6. |
Economic growth over the centuries has been tied to the development of IP, from the design of digging tools to digital technology. It seems to be better for some kinds of information to be free (because we decide it is) such as information about what the government is doing on our behalf, or how music theory works. But some people make their living, and contribute to economic growth, by coming up with original information. If no IP product should have economic value just because it's IP, I'm not clear on what the realistic model is for a healthy economy.
So I'd suggest, in the case of musicians and other artists in digital media, that it's up to us to decide if we think they should be paid for their work and how, and it may not be something decisive in the technical nature of the medium. The choice whether they get paid a few cents each for (potentially) many copies of a work vs. getting paid a larger amount one time seems to me to come down to a decision.
Although the former model is open to abuse, as when large IP-holders tie up copyrights through many extensions, for many decades, I think it can also be democratizing, in that the pre-sale value of copy #1 is zero, and any further value ultimately depends on how many ordinary people like the work, as opposed to whether or not a prince or a duke likes the work.
At least that's how it looks today...