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Brian Eno has somehow created an amazing self-mythology, where normally intelligent people melt before his "erudition". Frankly, he talks a load of "bollox".
Many years ago, I paid a substantial amount of money to go to one of his infrequent "happenings" in London, but was sufficiently under-whelmed that I left after aboutv 20 minutes. As a teenage fan of his work with Roxy Music, his later solo albums, his collaboration with Robert Fripp (ex King Crimson) and production for U2, etc, I was really looking forward to the event.
However, his initial topic was banal beyond belief; that different scents are like different musical notes, and so one create a symphony of smell. Duh! Not only was that the day-to-day the language used by people in the perfume industry (hence "long" from original thinking), it was also more-or-less the fundamental premise of the book "Perfume" by Patrick Suskind.
If i'd wanted a review of a book i'd read several years earlier I would have dug out an old copy of The Times Literary Supplement.
However, I suppose one should at least be grateful that he is not charging for the event. But I would warn any participants not to expect too much. After, all, something which has no cost more than often has no value!
Happy Dreams.
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Eno had been doing stuff with perfumes since the early 1980s, so it's unlikely that his views were taken wholesale from your "Perfume" book.
For the interested, there's a review of that lecture here:
http://music.hyperreal.org/artists/brian_eno/interviews/ind92.html