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The premise of this article is a clear indication to me that the author of a work, not some corporate sponser, should hold copyright.
The music industry is complaining of piracy, not copyright infringement. They are "losing money" because people are duplicating their products, not because anybody is claiming the artistry of the works to be their own. Many of the artists were actually pleased by the existence of Napster, because it gave them exposure. It would've been different if people were pulling their songs down and shopping them as demos of their own work (copyright infringement by *my* definition), but people respected the musicians.
After years of escalating abuse from a corrupt industry, consumers have little respect for the RIAA. Is there any reason a CD should cost as much as a DVD? Has the music gotten better? Is it fair for companies like Sony to keep all rights to a song for longer than a writer gets for his/her words? No. It's otherwise because of strong, well-funded lobbying efforts, not justice.
Radio is a bad example of progress. Any benefits from compulsory licensing were diminished by payola, a disgusting practice created by the recording industry (which they now protest because it costs them too much). Now the RIAA is going after independent internet broadcasters to regain control of the airwaves. Long live music piracy; I have no sympathy.
An artist should produce because they are compelled to, and share because they want to. They should get credit (copyright), and if they can sell what they make, good for them. But the rhapsodists, those that pretend to own somebody else's work and gain disproportionate benefit from it, can be thrown out of the Republic for all I care.
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I'm compelled to.
No, buttholio, I write and create because I want to make money from it,
that is, I want to make a living by doing it and not have to work for
minimum wage, get it, stupid?
Four syllable words like "replicators" is a crock. People who replace
the word "create" with the word "replicate" belong in Orlando, dancing on
stage for Mickey Eisner, under the auspices of the once great, but now
dead and buried Walt Disney.
Uncle Walt was a great guy; Mickey Eisner and his ilk are a bunch of
stealing " . . . . " and the people who perform in Disneyworld are more
like trained monkeys than talents.
Talent is born, not taught on an Orlando stage.
"An artist should produce because they are compelled to" this is the
unthought-out babblings of an Orwell-ignorant 3rd grade dropout, or, a
graduate of a Georgia college (same difference, same SAT scores!)
"They should get credit (copyright), and if they can
sell what they make"
- no, Bimbo, I pay $30.00 to register the songs exclusively as the sole
Copyright Owner, look me up, http://www.copyright.gov/records/cohm.html
by typing in "James, Terry" in the Search box. That's why I get paid for
creating things, not because I "may" be able to sell what I create.
Let's see, in addition to working many 18 hour plus a day jobs, seven
days a week, 52 weeks a year, I hold three college degrees, speak four
languages, am a top computer design engineer, including having designed
the computer you're typing on [but of course, you'll deny that, you have
to because no one can possess that much talent and intelligence, right,
Babu?] and have a unique genetic code which seems to have kept me out of
the hospital all of my life and slowed the aging process by at least 200
percent.
I try to help every mom and dad who the RIAA is picking on because it is
actually the RIAA that is the copyright infringer and I am preparing a
law brief asking for their arrest [oh yeah, by the F.B.I. no less!] and
have well over three inches of evidence against them. And the RIAA,
sweethearts, is not some nameless entity, it is the publishers who work
for the likes of Madonna, Bowie, Speers [or however she spells her name,
the English spell it the way I do], Specter, and all the C&W, Rap and
Crap artists, et ux. It is not a bunch of guys in business suits who are
agents in "The Matrix," but well hidden celebrities out to make trouble
for independent and up and coming true talents [which the aforementioned
are definitely not, having bought or outright stolen most of the
material, songs, and alleged creations they hold copyrights on].
As they are so prone to say in the business, if you don't like what I say
about you 'donna, Sue Me!
Terry James
http://www.cdbaby.com/terryjames
or, I own Musics.com Musics.net and Musics.org
or you can find me on ASCAP
and The Philadelphia Poets' Society
and, a helluva lot of other places where true art grows!
I want to make noise so you will stop to listen to the music!
Terry James
CyberSngs@Netscape.net